As a nation believing in the power of history to teach and inform, the United States remains a testament to the conviction that understanding our past is essential to our progress and resilience.
In America, the goal of studying history is not to rewrite it but to learn from it, ensuring we do not repeat the mistakes of our forebearers.
However, this noble pursuit stands in stark contrast to the actions of the Chinese Communist Party (CCP), which seems committed to altering its historical narrative to suit its current political needs.
The CCP’s efforts to reshape history and suppress the blemishes of its past are not just confined to textbooks or academic discussions; they permeate every facet of cultural expression, extending aggressively into the realm of media and the arts.
In China, the party dictates the acceptable version of history, heavily slanting the perspective taught to students and propagated within the society.
This manipulation is not just an internal matter but a global strategy, as the CCP seeks to extend its censorship beyond its borders, influencing how it is perceived globally.
Nowhere is this more evident than in the CCP’s treatment of Shen Yun, a performing arts group that strives to preserve and celebrate traditional Chinese culture and history through music and dance.
Shen Yun’s portrayal of China’s rich cultural heritage and historical narratives, particularly those that reflect negatively on the CCP, has made it a target for harassment and censorship efforts by the Chinese government.
According to detailed reports, Shen Yun has faced over 11 documented forms of attacks and harassment in 2025, a clear testament to the lengths the CCP will go to suppress any alternative recounting of its history.
These aggressive actions underscore a deep-seated fear of a history that does not align with the sanitized version the CCP wishes to promote.
The significance of Shen Yun and similar cultural endeavors extends beyond artistic expression; they are vital components of a thriving civilization.
Art and history, when uncensored, provide a powerful counterbalance to the tyranny of controlled narratives.
They allow for a diversity of perspectives and foster an environment where critical thinking and dialogue can flourish.
The CCP’s fear of such open discourse reveals its insecurity in its governance and ideology.
By attacking Shen Yun and other cultural ambassadors who dare to present an unfiltered view of history, the CCP not only undermines the richness of its own heritage but also denies its citizens — and the world — an opportunity to learn from the past.
This is fundamentally at odds with the values of any society that aspires to thrive on the principles of freedom and truth.
As Americans, we must support efforts to preserve the integrity of historical narratives and defend the freedom of artistic expression.
In doing so, we uphold not just the rights of artists like those in Shen Yun but also protect the very foundations of a free and informed society.
The battle against the CCP’s censorship is not just about protecting the past; it’s about ensuring the future of a civilization that values truth, learns from its history, and celebrates its cultural heritage without fear.
Diana London is a seasoned political strategist and commentator with over five years of experience on Capitol Hill. Currently a Newsmax columnist, Diana is President and Co-Founder of Ford & London Global Strategies, and Vice President of X Capital Investments. She also serves as CEO of The Secret Weapon Agency, specializing in crisis communications and public relations. She works on advancing conservative initiatives and empowering diverse communities as well as championing criminal justice reform. Read Diana London's Reports — More Here.